Tag Archives: zines

BRASS IN POCKET: feminist art show & companion zine

Works by Liz Linden & Jen Kennedy @ BRASS IN POCKET, Booklyn Artists Alliance

Works by Liz Linden & Jen Kennedy @ BRASS IN POCKET, Booklyn Artists Alliance

Curators Aimee Lusty and Kate Wadkins seek submissions for a feminist art zine to be released at the close of BRASS IN POCKET, a group show which opened Friday, September 13, 2013 and continues through October 27th at Booklyn Artists Alliance.

The zine seeks to represent contemporary feminist artists who explore new possibilities in their respective media, producing work that breaks conventional boundaries in terms of subject and process. The zine also aims to challenge and play on traditional notions of “feminist art.” This is Booklyn Art Gallery’s third open call for submissions for a collaborative zine published in tandem with the gallery’s programming.

Submissions will be accepted in two sizes, 8.5 x 5.5 inches, or 8.5 x 7.5 inches. All submissions should be black and white, at 300dpi. The deadline for submissions has been extended to October 20, 2013. Please send all submissions to booklynopencall@gmail.com.

Booklyn event page: http://booklyn.org/events/brass-in-pocket/

Facebook invitation & RSVP: https://www.facebook.com/events/464151967015877/

We’ve also been posting updates with snapshots from the show and news on the zine; join us on Tumblr! http://brassinpocket-booklyn.tumblr.com/

WEDNESDAY 1/9: Hurricane Sandy Zine Benefit

RSVP: http://bit.ly/sandyzinebenefit

This event will be both a zine reading and zine sale to benefit The Ali Forney Center, a Manhattan-based organization which provides housing to homeless LGBT youth. Part of the Center’s facility is located near the Hudson River and was destroyed by Hurricane Sandy. The event will include readings by zinesters as well as the sale of zines generously donated by many zinesters. 100% of proceeds will go to this important community resource.

We are aware of recent critiques of the Ali Forney Center*, and we concur with TransRadical blog** that it is crucial to rebuild AFC in order to continue creating safe and welcoming communities for LGBTQ youth everywhere.


Kate Angell (My Feminist Friends, A Thousand Times Yes)
Jamie Varriale Vélez (Sinvergüenza)
Jenna Freedman (Lower East Side Librarian, Barnard Zine Library)
+ more!


Stranger Danger Zine Distro, Kathleen McIntyre (The Worst), Lauren Denitzio (Get it Together), Kate Wadkins (International Girl Gang Underground), For the Birds Collective, Kate Angell, Amber Dearest (Fight Boredom Distro, The Triumph of our Tired Eyes), Maranda Elizabeth (Telegram), PonyBoy Press, Aimee Lusty (Booklyn, Pen15 Press), Amanda Stefanski, Jami Sailor (Your Secretary), Jordan Alam (The Cowation), Alycia Sellie (Brooklyn College Zine Library), Cindy Crabb (Doris), Natty Koper & Sivan Sabach (Bangarang This), Chella Quint (Adventures in Menstruating), Shawn Smith (Black Lesbians in the 70s Zine), Elvis Bakaitis (Homos in Herstory), Sarah Rose (Tazewell’s Favorite Eccentric, Once Upon a Distro), Maud Pryor (Marmalade Umlaut), Jenna Freedman

Zinesters are welcome to contact us with zines to donate! 100% of event proceeds will be donated to hurricane relief.

Kate Angell at myfeministfriends@gmail.com
Kate Wadkins at mskatherinewadkins@gmail.com

(more info to be updated on the Facebook event page)

** http://lizvseverything.tumblr.com/post/35113227079/please-reblog-ali-forney-drop-in-center-of-homeless

By now you’ve probably already heard that our friends at the POC (People of Color) Zine Project are leaving for a 14-day tour starting today. We couldn’t be more excited.

In November 2011, we partnered with POC Zine Project and Barnard Zine Library to produce “Meet Me at the Race Riot: People of Color in Zines from 1990-Today,” a panel and corresponding zine show at Barnard College. After the event, Daniela Capistrano, founder of POC Zine Project, immediately started planning their 2012 tour, Race Riot!, with fellow Meet Me at the Race Riot participants Mimi Thi Nguyen and Osa Atoe. The tour kicks off tonight at 538 Johnson and returns to Brooklyn on October 7th to close the tour at Death by Audio.

The tour will consist of “DIY” events (like the kickoff this evening) featuring bands, music, and readers, as well as school-sponsored panels, bringing POC zines into the university. For a preview, see a video of our Meet Me at the Race Riot event produced by Barnard.

We at For the Birds have been busy making copies of Mimi Nguyen’s Race Riot zines to accompany the zinesters on their tour, and we’ll be sending copies of our own zine So You Want to Start a Feminist Collective… and International Girl Gang Underground to join them!

POC Zine Project has been spotlighting all of the members of the tour on their tumblr. Here are some of our favorite quotes:

Osa Atoe:

I think that being able to tour & travel has helped me deal with how white punk can be because I’ve been able to make connections with black & brown punks all over the country and even internationally.

Mariam Bastani:

Even though zines are largely seen as either a literary art form or as a “music thing,” imagine the transformative nature that zines could have in all aspects of our lives? The power of narratives being read straight from the pens of those living them with out fear of persecution within and outside of their own community, or, inversely, the recognition of a POC voice within their community and power lying in the ease in which a zine can be created—we don’t need anyone’s publishing money, we don’t need anyone’s approval.

 Mimi Nguyen:

I wanted to go on this tour… to connect with other punks of color about this thing we love and sometimes hate, to present something –a zine, a tour— that might make sense of that push and pull and give it a history, and then to create something new between us.

Cristy C. Road:

Emphasizing the voices of POC in Zine culture (and any media) is imperative to revolutionizing any “alternative” space. If diversity isn’t present we aren’t moving forward.

Anna Vo:

I decided to join the [POC Zine Project] tour because I thought it was an awesome opportunity to hang out with women of colour who I could hopefully talk to about things that I think about alot, but don’t necessarily get to talk about that much in the communities and cities that I live in! I’m working on the third issue of my punk zine Fix My Head, which is a collection of interviews with “Punx of Colour,” mostly women who have been playing in hardcore/punk bands for some time, and their experiences of racism/fetishisation/exclusion/etc.

For all of the Race Riot tour dates and details, check this link and be sure to follow along with the POC Zine Project tumblr.

Philly Feminist Zine Fest & Interview

This past May I left New York for Philadelphia. Before officially moving, I tabled with For the Birds distro at the Brooklyn Zine Fest in April. It was there that I met Sarah Rose of Once Upon a Distro and organizer of the Philly Feminist Zine Fest. We talked for some time. I told her I’d be moving to Philadelphia, and she told me about the upcoming feminist zine fest. To say hearing this was a comfort would be an understatement; for me, feminist organizing is not an amenity, but a necessity.

Being in Philly now, it’s amazing how it feels infinitely good, but not surprising, to see such productiveness and creativity in a new place with new people. New Yorkers, by and large, forget that there are worthwhile things happening outside of the five boroughs. But still. Coming across such motivation and camaraderie in other corners of the world creates a glow in the chest, a glimmer of hope.

Sarah Rose, along with Taryn Hipp, Jen King and Kristen Asher are the ladies behind the Philly Feminist Zine Fest. They’ve work diligently over the past few months to organize the event, and I was given the chance to interview Taryn and Sarah  to gain some insight into their inspiration and process. The fest will be held on Sunday, August 26th from 12 – 5 at the William Way Community Center (1315 Spruce Street). Tablers at the fest include Amy Leigh of TwelveOhTwo distro, Ramsay Beyer, Riot Grrrl Philly, Jenna Freedman of the Barnard Zine Library, and our own distro here at For the Birds, among many more. Workshops include “Decriminalizing Sex” by Project SAFE, “Soapbox Alternative Zine Structure” by the Soapbox, “How to be an Ally to Sex Workers” by members of SWOP and PERSIST Health Project, and “Putting the Pain to Paper: Writing about the Tough Stuff,” presented by myself and Kathleen McIntyre! There will also be a slew of raffle prizes, and much more! PFZF will also serve as a fundraiser for Project SAFE, a Philadelphia-based organization dedicated to providing health, safety and survival services to sex workers. You can find out more about PFZF here.

Be sure to come say hi at the For the Birds distro table and take part in our workshop, “Putting the Pain to Paper: Writing about the Tough Stuff” from 3 PM to 4PM! We will explore writing as a tool for processing painful experiences such as grief, illness, loss, and trauma. We will discuss the psychological impact of writing and self-publishing on both individuals and communities and explore why and how it can help us heal. Together we will do a writing exercise and provide ideas to help you engage with your own writing process. We’ll also highlight the specific zines and books that we think exhibit a good job of tackling the “tuff stuff” as inspiration.

Check out the interview with Sarah Rose and Taryn Hipp!

New Book! Don’t Leave Your Friends Behind: Concrete Ways to Support Families in Social Justice Movements and Communities

Victoria Law and China Martens have created a book-version of their long-running zine, “Don’t Leave your Friends Behind“, coming out in September 2012, and now available for pre-order from PM Press!

How do we create new, non-hierarchical structures of support and mutual aid and include all ages in the struggle for social justice? There are many books on parenting, but few on how to be a good community member and a good ally to parents, caregivers, and children
as we collectively build a strong all-ages culture of resistance. Many well-intentioned childless activists don’t interact with young people on a regular basis and don’t know how.
Don’t Leave Your Friends Behind is a collection of concrete tips, suggestions, and narratives on ways that non-parents can support parents, children, and caregivers in their communities, social movements, and collective processes. It brings in voices often missing in many social justice movements, including those from children involved in an occupation for a school library; trans and genderqueer parents; parents of children with developmental disabilities; doulas supporting incarcerated mothers; and childcare collectives across the country. Respecting, valuing, and sharing caregiving work builds a healthier community for all. Let’s build an all-ages, inclusive revolution that leaves no one behind!

The anthology features a chapter co-written by two For the Birds Members, Cynthia Schemmer and Kathleen McIntyre, entitled: “Parental Care Giving and Loss: Ideas for Care Givers and Their Allies.” Pick up a copy and save the date for the NYC launch to be held at Bluestockings Books on Saturday, October 6th.

About the Editors:
Victoria Law is a writer, mother, and photographer. She is also the co-founder of Books Through Bars—NYC and publisher of the zine Tenacious: Art and Writings from Women in Prison. Her first book, Resistance Behind Bars: The Struggles of Incarcerated Women (PM Press, 2009), won the 2009 PASS (Prevention for a Safer Society Award).
China Martens is a proud single mother of a grown daughter and a founding member of Kidz City, a radical childcare collective in Baltimore. Her first book is The Future Generation: A Zine-Book for Subculture Parents, Kids, Friends, and Others (Atomic Book Company, 2007).

MEET ME AT THE RACE RIOT: People of Color in Zines from 1990 – Today

Flier by Daniela Capistrano

We’re so excited for our next event, co-organized with POC Zine Project & Barnard Zine Library on Wednesday, November 16th. You can RSVP on Facebook.

Wednesday, November 16 · 7:00pm – 9:00pm

Barnard College
307 Milbank Hall (3rd floor)
North end of campus
3009 Broadway
New York, NY 10027

The People of Color (POC) Zine Project, Barnard Zine Library and For The Birds Collective are excited to announce a zine reading/community event featuring poc zinesters with diverse backgrounds in zine culture and activism. This is an ALL AGES event, so spread widely!

We’ll be adding more details to this event listing, but here are the confirmed readers and details:







We are encouraging folks to bring any zines they want to share, sell or trade. We’ll have space to do that.

LIVETWEET: #poczines
We’ll be sharing details in real time on Twitter @poczineproject, so feel free to follow along and send us your questions and comments with #poczines!


Milkbank Hall is on the north end of the Barnard College campus. There
will be signs posted to guide you to the 3rd floor location.

Barnard College information:


Barnard Zine Libary: http://zines.barnard.edu/
Barnard’s zines are written by women (cis- and transgender) with an emphasis on zines by women of color. We collect zines on feminism and femme identity by people of all genders. The zines are personal and political publications on activism, anarchism, body image, third wave feminism, gender, parenting, queer community, riot grrrl, sexual assault, trans experience, and other topics.

FOR THE BIRDS: http://forthebirdscollective.org/
FOR THE BIRDS is a New York City-based feminist collective. We work towards establishing alternative spaces that promote the creative interests of women-identified community members. For the Birds is a collaborative group of organizers with backgrounds in feminism, social justice work, and various artistic pursuits. Through DIY feminist cultural activism, For The Birds aims to empower and support radical women of action.

POC ZINE PROJECT: https://www.facebook.com/pages/POC-Zine-Project/304152466201
We want to make it easier for POC (People of Color) zine fans and their supporters to find a diverse selection of zines made by POC. Zines are a vital component in the long tradition of self-publication. They share knowledge and experiences that supplement (and often contradict) the information that other sources distribute, encouraging free thought. There are many valuable zine collections in the United States (many accessible online) but none that are devoted to curating POC zines. POC Zine Project’s mission is to makes ALL zines by POC easy to find, share, and distribute.


Announcing: A Benefit Show for “The Worst” grief zine! Saturday Sept. 3

FTB would like to announce the next event in the Birds of Summer Series: A benefit show to celebrate “The Worst”–a compilation zine exploring contributors’ experiences with grief and loss from radical, D.I.Y., and alternative viewpoints.  The show will help to raise money to cover printing costs for the zine, which has sold nearly 1500 copies since its inception in 2008.  There will be music, readings, snacks, awesome raffle items, and even a puppet show!  Provided that by Saturday, September 3rd, everyone is safe, dry, and mobile again after the hurricane, we’d love to welcome everyone to come out and have a good time supporting a zine which seeks to build community around the universal (and often difficult) experience of loss.

Details below:

“Who’d ya lose & How ya Dealin’?”:
A benefit show for The Worst: Compilation Zine on Grief and Loss

Saturday September 3, 2011
Death by Audio // 49 S. 2nd St. between Kent & Wythe
L to Bedford or B62 to Driggs/S. 2nd
$6-10 Sliding Scale
Doors @ 8pm


Bridge and Tunnel
Slingshot Dakota

Readings by:

Cynthia Schemmer
Tommy Pico
Maria Arettines
Sarah Hanks
Kathleen McIntyre
and more!

Tabling by:
For the Birds Collective
Birdsong Collective

Puppetry by:
Geppetta Whimsy-Core Puppet Theater

So You Want To Start a Feminist Collective…

Announcing For The Birds’ first zine!

So You Want To Start A Feminist Collective: A Flight Plan For Newly-Hatching Flocks
For the Birds’ first zine! Encouraging other people to start their own collectives and projects, For the Birds answers questions about how we started and how we continue to operate as a group.  We address problems we’ve faced, how we’ve negotiated those issues, the vital importance of communication, and more.  The zine is both about our own collective process and a guide to starting similar projects in your own community.  It’s our way of sharing the knowledge we’ve gained together.

The zine is available from our table at events and also now online at our store!  Click here to order online.

Call for Submissions – Not Your Mother’s Meatloaf

Not Your Mother’s Meatloaf is collecting submissions for their fourth issue focusing on ‘HEALTH’. Not Your Mother’s Meatloaf is a collection of comics that challenge hetero and gender normative practices in sexuality education. Deadline (at least contact them by) is November 1st so break out your pencils and paper!

The Worst Issue 2: How do Feminists Grieve?

The second issue of The Worst, a compilation zine on grief and loss, is finished!  In it, 16 contributors have shared their art, writing, and insight into their experiences dealing with the death of friends, parents, grandparents, partners, children, and fellow organizers.  The authors articulate their thoughts on how grief impacts our sense of our own identity in the world and on our ability to take care of ourselves and each other by creating sustainable activist projects that acknowledge grief.  The zine contains a template you can use to create your own living will and appointment of attorney for healthcare decisions, a resource list, and a hand-printed fabric patch with a quote from Audre Lorde.   You can order a copy of the first or second issue here or pick one up at our distro at the next FTB event.

Why discuss grief processing on a feminist blog? For me, working towards an authentic, community-based model of grief processing is an inherently feminist act.  On a basic level, radical feminism seeks empowerment for those who are subjugated or harmed by the patriarchal capitalist mainstream.  As we are socialized into this system, we are often taught to suppress or contain our emotions and feelings lest we be labeled “hysterical,” “bitchy,” “weak,” or “too much.”  And yet, racism, sexism, homophobia, able-ism and other structural inequalities in our society justifiably invoke outrage in anyone who dares to expose or work against injustice.  We are told, as usual, that we cannot trust our own voices, feelings, and experiences of the everyday losses that those holding power in our society depend upon to maintain control.

Often, our reactions to the deaths of important people in our lives are forced into specific templates or time frames that don’t always reflect our true needs.  We may experience few instances of genuine support amidst the hospitals, Hallmark cards, and “Stages of Grief” we are supposedly moving through.  This repression and denial of grief inhibits authentic communications from occurring around the universal experience of loss and alienates us from one another during times when we may need other people the most.  To claim our grief—to claim that our relationships with each other matter–within this climate of isolation and denial is feminism in action.  Any method by which we can reclaim our authentic selves results in empowerment and creates a space for more of us at the collective table (yes, even we who grieve, we who struggle with illness and chronic pain, who have survived sexual assault, addiction, intimate partner violence, the list goes on. . . )

In her book, Aftershock: Confronting Trauma in a Violent World, the wise eco-anarcha-feminist Pattrice Jones explains that feelings must be spoken in order for healing to occur.  Noting that language is an inherently social activity by which we communicate meaning to others, she concludes: “one general principle of good emotional health is to talk about your experiences and feelings” (38).   The Worst seeks to provide a space for us to practice making meaning out of chaos by trying to find words for what we have lived.  The process of writing or speaking our truths is itself a healing process, and enacts our feminist refusal to collude with the denial of our emotions.

The dual purpose of the zine is to help us become more comfortable with providing support for those who are grieving, something we are rarely taught.  Words are not only spoken and written but also heard and read.  Jones continues: “one way to help create a healthy . . . community is to listen with empathy when other people talk about their experiences and feelings” (38).   Becoming an active witness to other’s loss narratives is an essential part of community healing.  This entails welcoming conversations about loss that are usually deemed taboo: transforming our “worst” experiences into something from which we can and will recover together.